Myles de Bastion
The Pixelboop grid: a musical arrangement rendered as colored blocks, with harmonies reading as bands of related color

Portland Jazz Composers' Ensemble · Audiolux

#DeafJazz

With
Portland Jazz Composers' Ensemble, a 12-piece jazz chamber orchestra
Instrument
Pixelboop
In classrooms
Portland Public Schools
Supported by
Elizabeth Taylor Read Foundation

Pixelboop is the instrument I built to map music theory onto color theory. Harmonies read as visible gradients, dissonance as visual contrast, so a composer can paint an arrangement.

Working with the Portland Jazz Composers' Ensemble through the Audiolux program, I put that instrument in front of a 12-piece orchestra of Deaf and hearing composers and musicians. In an ensemble Pixelboop acts as a visual conductor. It supports real-time improvisation, giving cues that keep the orchestra in sync harmonically regardless of auditory ability.

The same instrument runs in the classroom. jam.audiolux.com is the web-based education module. PJCE musicians and Portland Public School students use it for a Deaf-led music education curriculum, making the logic of harmony visible and interactive.

Making music visually allows us to invite everyone to the conversation, creating a shared language beyond sound.
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